{"id":142,"date":"2018-07-02T05:51:43","date_gmt":"2018-07-02T05:51:43","guid":{"rendered":"http:\/\/interfaces.dmu.ac.uk\/conference\/?page_id=142"},"modified":"2018-09-16T09:25:09","modified_gmt":"2018-09-16T09:25:09","slug":"programme-draft","status":"publish","type":"page","link":"https:\/\/interfaces.dmu.ac.uk\/conference\/call-for-participation\/programme-draft\/","title":{"rendered":"Programme (Draft)"},"content":{"rendered":"

Friday 21 September 2018 \u2013 Draft Schedule<\/h2>\n

Location<\/strong>: All talks are in CL3.03<\/span>, unless otherwise stated.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Time<\/td>\nActivity<\/td>\n<\/tr>\n
8:15-9:00<\/td>\nCoffee & Registration (Clephan Building, 3rd Floor Corridor)<\/td>\n<\/tr>\n
9:00-9:30<\/td>\nOpening (CL3.03)<\/td>\n<\/tr>\n
9:30-11:00<\/td>\nThree Talks:<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Peter Sheppard Skaerved<\/strong> \u2013 Invisible Cities<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Evis Sammoutis<\/strong> \u2013\u00a0Educational, artistic and collaborative strategies in engaging New Music audiences: the genesis of the Living Museums<\/em> project and Interfaces<\/em><\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lorenda Ramou<\/strong> \u2013\u00a0Extra-muros of the concert hall: new music events in and with the neighbourhood<\/td>\n<\/tr>\n

11:00-11:30<\/td>\nCoffee (CL3.02)<\/td>\n<\/tr>\n
11:30-13:00<\/td>\nThree talks:<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Martin Faultley, Nancy Evans, Victoria Kinsella<\/strong> \u2013 Through the Music Maze: Adventures in experimental music with children<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mario Duarte, Rodrigo Sigal<\/strong> \u2013 Timbral and spatial interactive systems in the community: The use of electroacoustic music in education and social integration<\/p>\n

–\u00a0 \u00a0 \u00a0 \u00a0Bobbie Gardner<\/strong>\u00a0\u2013 Composition in a hyperlocal environment \u2013\u00a0for-Wards:\u00a0<\/em>Citywide<\/td>\n<\/tr>\n

13:00-14:00<\/td>\nLunch (CL3.02)<\/td>\n<\/tr>\n
14:00-15:30<\/td>\nThree talks:<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lilian Beidler<\/strong> \u2013\u00a0Performative Sound Arts in Public Space<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mike Blow<\/strong> \u2013 Durational Sound Art<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Steve Jones<\/strong> \u2013 iPads, Mobiles and New Music in Schools<\/td>\n<\/tr>\n

15:30-16:00<\/td>\nCoffee (CL3.02)<\/td>\n<\/tr>\n
16:00-18:00<\/td>\nFour talks:<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Judith Robinson, Alexandra Richardson<\/strong> \u2013\u00a0Music for Young Players<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hans van Regenmortel<\/strong> \u2013\u00a0Eersteklasconcerten: a new perspective on contemporary music participation of young children in concert halls<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jackie Walduck<\/strong> \u2013 Tactile: Bridging the visual impaired and sighted communities through touch and sound<\/p>\n

–\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Silvia Rosani<\/strong> \u2013 Voice sound analysis and visual art to engage with new audiences in public spaces: a composer perspective<\/td>\n<\/tr>\n

18:15-19:15<\/td>\nReception (CL3.02)<\/td>\n<\/tr>\n
19:15-20:00<\/td>\nKeynote:<\/u><\/p>\n

Susanna Eastburn<\/strong> \u2013 I thought all composers were dead and had a beard<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

All day: 3 Instalations<\/p>\n

    \n
  • Pete Batchelor<\/strong> \u2013 Cascades (2018) (Location:<\/strong> PACE 2)<\/li>\n
  • Mike Blow<\/strong> \u2013 Pod Quad (Location:<\/strong> Outside of PACE Building)<\/li>\n
  • Seiichiro Matsumura<\/strong> \u2013\u00a0Sound Wrinkle, Your Angelic Voice (Location:<\/strong> Pace 1A)<\/li>\n<\/ul>\n

    Saturday 22 September 2018 \u2013 Draft Schedule<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Time<\/td>\nActivity<\/td>\n<\/tr>\n
    8:30-9:00<\/td>\nCoffee & Registration (Clephan Building, 3rd Floor Corridor)<\/td>\n<\/tr>\n
    9:00-10:30<\/td>\nThree Talks:<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rodolphe Burotte, Sharon Kanach<\/strong> \u2013 UPISKETCH: An old idea revisited<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Motje Wolf, Sarah Younie<\/strong> \u2013 Enhancing Music Access \u2013 Pedagogic content knowledge for teaching sound-based music<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Caroline Waddington, Andrew King, Pam Burnand<\/strong> \u2013 Hull 2017: Engaging communities in collaborative composition and performance<\/td>\n<\/tr>\n

    10:30-11:00<\/td>\nCoffee (CL3.02)<\/td>\n<\/tr>\n
    11:00-13:00<\/td>\nFour talks:<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Leigh Landy <\/strong>\u2013 EARS 2 + Compose with Sounds: Bringing sound-based creativity to anyone with no prior experience<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Duncan Chapman, David Holland<\/strong> \u2013 Sharing experiences of sound-based creativity in schools and community settings<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 John Richards<\/strong> \u2013 Cardboard Boxes and Cupboards: Radical electronic music<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ruta Vitkauskaite<\/strong> \u2013\u00a0Walking Opera<\/td>\n<\/tr>\n

    13:00-14:00<\/td>\nLunch (CL3.02)<\/td>\n<\/tr>\n
    14:00-17:00<\/td>\nThree workshops:<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dave Holland\/Duncan Chapman<\/strong> \u2013 Compose with Sounds (Sound-based musical creativity)<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 John Richards<\/strong> \u2013Music for DIY Electronics<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rodolphe Burotte, Sharon Kanach<\/strong> \u2013 UPISKETCH: An old idea revisited (UPIC)<\/td>\n<\/tr>\n

    17:00-17:30<\/td>\nCoffee (CL3.02)<\/td>\n<\/tr>\n
    17:30-19:00<\/td>\nThree talks:<\/p>\n

    Location:<\/strong> PACE Building<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Miciko Saiki<\/strong> \u2013 The Vocalizing Pianist: The Voices of Women<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Emma-Kate Matthews<\/strong> \u2013 The Spatial Instrument: Spatiosonic practice in real-time<\/p>\n

    –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Barbara L\u00fcneburg<\/strong> \u2013 Transcoding: From \u2018highbrow art\u2019 to participatory culture<\/td>\n<\/tr>\n

    19:15-19:45<\/td>\nWorkshop sharing (see above three workshops)<\/p>\n

    Location:<\/strong> PACE Building<\/td>\n<\/tr>\n

    19:45 –<\/td>\nConcert:<\/p>\n

    Barbara L\u00fcneburg<\/strong> \u2013 Slices of Life <\/em>(2016\/17) for amplified violin and voice, video and soundtrack<\/p>\n

    Location:<\/strong> PACE Building<\/td>\n<\/tr>\n

    Additional Events<\/td>\n+ \u00a0Ruta Vitkauskaite<\/strong> \u2013 Walking Opera \u2013 video installation (all day)<\/p>\n

    + Caroline Waddington, Andrew King, Pam Burnand<\/strong> \u2013 Hull 2017: Engaging communities in collaborative composition and performance \u2013 video loop (all day)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    All day: 2 Installations<\/p>\n

      \n
    • Pete Batchelor<\/strong> \u2013 Cascades (2018) (Location:<\/strong> PACE 2)<\/li>\n
    • Seiichiro Matsumura<\/strong> \u2013\u00a0Sound Wrinkle, Your Angelic Voice (Location:<\/strong> Pace 1A)<\/li>\n<\/ul>\n

      Sunday 23 September 2018 \u2013 Draft Schedule<\/h2>\n\n\n\n\n\n\n\n\n
      Time<\/td>\nActivity<\/td>\n<\/tr>\n
      9:00-9:30<\/td>\nCoffee & Registration (Clephan Building, 3rd Floor Corridor)<\/td>\n<\/tr>\n
      9:30-11:30<\/td>\nFour Talks:<\/p>\n

      –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiona Robertson, Ellen Thompson<\/strong> \u2013\u00a0The soundfestival<\/em>: a festival targeted at new audiences<\/p>\n

      –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Makoto Nomura<\/strong> \u2013 Joy of Creation and Innovation: Participatory Composition Projects by the Japan Century Symphony Orchestra<\/p>\n

      –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Caroline Waddington, Andrew King and Pam Burnand<\/strong> \u2013 Minute of Listening: <\/em>Engaging primary school children in new music<\/p>\n

      –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Isabel Jones and Takashi Kikuchi<\/strong>\u00a0\u2013\u00a0Salamanda Tandem: White Cane<\/td>\n<\/tr>\n

      11:30-12:00<\/td>\nCoffee (CL3.02)<\/td>\n<\/tr>\n
      12:00-12:30<\/td>\nClosing Word (CL3.03)<\/td>\n<\/tr>\n
      12:30 \u2013<\/td>\nClosing Word & Conference Close<\/p>\n

      Performance:<\/p>\n

      – \u00a0 \u00a0 \u00a0Salamanda Tandem\u00a0<\/strong>\u2013 White Cane <\/em>(performance)<\/p>\n

      Isabel Jones , Duncan Chapman, Takashi Kikuchi and Mickel Smithen<\/em><\/p>\n

      Location:<\/strong> PACE Building, Quad (Outside)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      All day: 2 Installations<\/p>\n

        \n
      • Pete Batchelor<\/strong> \u2013 Cascades (2018) (Location:<\/strong> PACE 2)<\/li>\n
      • Seiichiro Matsumura<\/strong> \u2013\u00a0Sound Wrinkle, Your Angelic Voice (Location:<\/strong> Pace 1A)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

        Friday 21 September 2018 \u2013 Draft Schedule Location: All talks are in CL3.03, unless otherwise stated. Time Activity 8:15-9:00 Coffee & Registration (Clephan Building, 3rd Floor Corridor) 9:00-9:30 Opening (CL3.03) 9:30-11:00 Three Talks: –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Peter Sheppard Skaerved \u2013 Invisible Cities –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Evis Sammoutis \u2013\u00a0Educational, artistic and collaborative strategies in engaging New Music audiences: the genesis […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-142","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9tS5Y-2i","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/pages\/142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/comments?post=142"}],"version-history":[{"count":12,"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/pages\/142\/revisions"}],"predecessor-version":[{"id":185,"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/pages\/142\/revisions\/185"}],"up":[{"embeddable":true,"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/pages\/8"}],"wp:attachment":[{"href":"https:\/\/interfaces.dmu.ac.uk\/conference\/wp-json\/wp\/v2\/media?parent=142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}